22.02.2013 in18:04 in Art -->
“Since I was young, I’ve been drawing characters and animals. In the early 1990s, I started discovering graffiti with friends of mine, tagging a little bit and following them, taking photos and stuff. Then I wanted to be a part of it. The characters came out spontaneously. I chose to use acrylic paint because I was using it while studying, and I found it more comfortable than spray cans, even if it wasn’t a graffiti style. Then I continued painting. I didn’t really choose it, it came naturally. Painting on walls was a way to show that I was boycotting the conventional art world. At my beginnings, I had a rebel mind. I also find this more exciting to paint in the street because it is forbidden. Painting on walls allows me to keep my freedom; as it is illegal, there is no censorship. It is also a challenge, since each time I paint on a wall there is the risk of seeing my work erased. Since I like moving around and meeting people, so I prefer painting in the street. It also enables me to make my art accessible to a larger public audience.
At the beginnings, my dolls were self-portraits. Graffiti has a very megalomaniac side; instead of writing my name, I chose to represent myself through my dolls. I felt a real need to affirm myself, maybe because I have a twin sister and I had to show my difference.Later on when I didn’t feel as much this need to mark my identity, my work became.The idea of provocativeness has also a part in my conception of my work. I have always liked painting a sexy doll in an inappropriate place. I want to provoke strong reactions.
My dolls convey a provocative image, sometimes a bit erotic. I wish they disturbed and provoked fantaisies. I want them to make the viewer react, no matter the reaction. I would like them to make people forget their daily lives.”